Quote:
Originally posted by Videodrome:
BTW, there was a discussion on a related thread about the benefits of decoding the new codecs in the pre pro vs. the player. I've got to wonder, would the audible benefits be that discernable? Personally, I think subtleties between equipment is much easier to discern with simple, two channel stereo compared to surround sound. First, there's so much going on across so many speakers. And second, it's mostly spatial clues or sound effects. So you've got to wonder if we're talking really diminishing returns between the two.
For TrueHD, I would expect it to be difficult to tell, as my understanding is that it is very similar to DVD-Audio's MLP (making the decoding process relatively straightforward and thus harder to get wrong). In that case, it would take a real mistake in hardware or software development to produce an audible difference. DTS-HD Master Audio is apparently a real processing bear, though, which is why the only Master Audio decoding available today is in receivers or processors.

Quote:
Originally posted by Videodrome:
Now, I recall gonk that you said only by using the digital streams via HDMI 1.3 to an outboard pre/pro would you be able to take full advantage of Dolby PLIIx, etc. But if that's the case, I envision you could configure an existing Outlaw system by getting a DVD player that has multi-channel out for True HD (available now) and DTS HD MA (available soon?), run them to your 7.1 inputs, and for everything else, just run digital out to a spare input on the 970 or 990 and toggle between the two based on what surround format you wanted.

Or am I missing something here?
The biggest thing that I see as a potential benefit for HDMI v1.x versus the 990's 7.1 Direct input is PLIIx. There is still very little 6.1/7.1 content available on HD software, but a fair number of 7.1 home theater setups. With nearly all HD-DVD and Blu-ray players offering only 5.1 analog outputs (when they have multichannel analog output at all), the only way to use the rear surrounds is to split the signals from the surrounds of a player's 5.1 output. That's not exactly earth-shatteringly important, but it is a consideration. Also, the 990 remains very unusual in its ability to apply bass management, time delay, and channel trim to a multichannel analog input, so there are a lot of other home theater setups that are relying on the player for those capabilities.
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gonk
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