I am familiar with that feature, but I have to wonder what practical application there is for it? And then there is the cost of Trinnov. I don't know what the licensing fees are, but ADA seems to be very ... proud .. of Trinnov and are really printing money selling it into the high end custom theater space.
Trinnov spatial remapping has the potential of simulating a near-perfect immersive soundfield from 5 imperfectly-placed speakers, which, in the real world, has
tremendous practical application. Unfortunately, it has so far proved to be impossible to deliver these benefits in a bug-free consumer-grade AVR or pre/pro. And even if it proves to be possible, the iron-fisted control that Trinnov may need to exert to convey its benefits -- IIRC the SN R-972, once Trinnov EQ and 3D remapping are activated, permits no adjustments to crossover points, channel levels or tone settings, with no possibility of superimposing surround modes such as Dolby PLIIx -- will be a real turn-off for many.
I think it's great that Outlaw is planning to continue development work on the 998 once the 978 is released, but in the meantime I agree with you that they should consider the 978 to be
the new Outlaw pre/pro, and equip it accordingly. I think the apparent excitement over the 978 has to do with the fact that Audyssey is a proven, well known commodity, and that the 978 now, finally, seems to be more than vaporware.