Sorry, all. I didn't realize in the first post that the question centered around the use of the ICBM.
Also, I have a seperate processor that I built for an LFE discrete sub system, so the LFE signal never enters my 950 at all.
It's good to note here that the LFE channel is basically a double bass channel. That is, it's almost exclusively used to double, or boost the bass tracks of the other 5 channels.
The double bass refered to in this thread is when the 950's analog BM switch is set to 'off'. Then, the 5 sats receive full range signal while a copy of those 5 signals is sent to the SW output, filtered @ 80 Hz. and summed with the LFE signal.
My answer to this situation is a simple one. I connect the player's SW output to a one channel pre/pro that is specifically designed for LFE, which then outputs to it's own LFE sub.
This will allow you to set the 950's BM any way you like and use the ICBM very succesfully, if you like. You may also use 2 subs for stereo redirected bass (in addition to the LFE sub).
My LFE pre/pro actually has a crossover (as opposed to a LF filter) which allows an LFE satellite to render the LFE channel in Hi-Rez MC audio a full range channel. Or, you can set the crossover to, say, 60 Hz and use an upper bass sub to enjoy the full 120 Hz LFE range with punch.
Outlaw has maintained all along that the 'double bass' issue is not a serious one for most systems. That is, more or less, a correct statement (see my post above). Using the ICBM is a different story as this thread proves.
All I can really say is, what a difference a year makes! It's great to see so many posts from people who understand the LF of MC audio vs the utter state of confusion that existed this time last year.
As always, I point to Gonk as the go-to guy in this forum to at least get the ball rolling if not to nail the solution in, like 12 seconds after you post a Q.
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"Time wounds all heels." John Lennon