Quote:

in the case of many prepros, the low-pass gets a -24dB slope, but the high-pass only gets -12dB slope

I think another reason this is done is because too little sound in a particular frequency range is more acceptable than too much sound in it.
Quote:

the high-pass only gets -12dB slope because they expect your speakers to roll-off with a -12dB slope

The problem is even with a particular roll-off slope, that different speakers roll-off starting at different frequencies. Speakers vary widely at where they start to roll-off.

I don't know what the Outlaw crossover slope is. Maybe it is as you suggest like other pre/pro's: where the low-pass gets a -24dB slope, and the high-pass gets a -12dB slope.

Will

[This message has been edited by Will (edited October 31, 2002).]