Will,
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Do you know how to adjust the 950, in order to make its PL II sound barely perceptible over regular stereo playback?
Well I've never used the 950 but I know how to adjust PL II-M on my processor. Shouldn't be any different on the 950. Follow:

First, adjust the DIMENSION parameter; this changes the ratio of the front sound to ambience. As you adjust this parameter from Rear to Neutral to Front, you will move further forward in the virtual listening room, lessening the amount of surround information you hear. Set this to Front.

Next, adjust the CTR WIDTH parameter; this changes the spread of the centre image. The Min setting has all the centre channel info coming from the centre speaker only. You want the opposite setting. As you move towards the Max setting, the centre info will be moved more and more out to your front left & right speakers. At the Max setting, you have a phantom centre; sound only comes from the front left & right. This then is the setting you want, as it is what you would get by playing a stereo source in 2-channel mode.

Make sure you have turned PANORAMA to the OFF setting; you don't want the front image wrapped around your head. Then drop the volume of the surrounds as low as possible. At this point you'll have sound coming from the front left & right speakers only. Just like 2-channel.

Now, slowly start to raise the level of the surrounds; at some point you'll hear your front speakers (for want of better words) 'bloom' into the listening space. Somewhere around this level (+/- a few db) is what you're looking for: i.e., you won't actually be aware of the surround speakers themselves, but you'll notice the contributions they are making.

It's basically like listening to stereo, with a subtle "extra"! BTW, no need to stop there; keep experimenting with the surround volume till you find a level that makes the music sound most pleasing to YOU. Don't worry about whether it "should" be heard that way or not.
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But when a concert is played in stereo loud enough, the sound sure seems to bounce all over my listening room. It's not like listening to stereo with low volume. There, music is flat by comparison, and only at the front of the room. There, there's not much surround sound ambiance.
If you like that loud "bounce all over" the room sound with your music, then go for it. Personally, I prefer to use surround processing to create an ambient soundfield; allows me much greater control of what I hear, at any volume.
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But maybe his ears are better educated than mine, and he knew what to listen for. Ears, even my uneducated pair, can get educated, I think, with time.
There is a big difference between learning from his experience vs letting him judge what sounds pleasing to you. He's not the one that's going to be listening to and living with your system; you are. I mean, what's next: if he says Handel sounds better than Dr.Dre, does his experience make him right? It's fine to let yourself be educated by his experience (if, in fact, he really knows what he's talking about), but don't allow that to dictate your judgement about what you find pleasing when it comes to something as personal as music.
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I think he said the full timbre of the symphony was not coming through in DPL-II but it was coming through in stereo. Well, I didn't hear it, but maybe I have yet to train my ears to hear it.
Last time I listened to PL II, I didn't hear anything missing (except maybe some comb filtering, which is reduced by the use of a centre speaker). Some people report hearing less bass with surround processing engaged. Not surprising, especially if you are using large fronts and smaller surrounds & centre. With 2-channel playback, you have 2 speakers reproducing bass, midrange and treble. When you switch surround processing on, you now have 2 speakers producing the bass, but 7 speakers producing midrange and treble. Naturally, it can sound different. While bass management is (in theory) supposed to properly re-route low frequencies from those other channels so you don't lose any bass content, in real life it doesn't always work quite so perfectly. But this problem can be adjusted away with good calibration tools, and is a far cry from any "full timbre" that is supposed to be missing with PL II processing.
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Incidentally he seemed to think more of the full spectrum of the music was coming through in DTS NEO:6 than in DPL II. I on the other hand, thought DPL II sounded better than DTS, which was just the opposite. Likewise I also thought DTS sounded better than loud volume stereo (but just barely). Again, just the opposite.
Well, if it's any consolation, my experience is much closer to your's than his. And, as I said before, I can't get past the artifacts and poor steering I hear with Neo:6.
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So now I wonder if DPL II (and to a lesser sense, DTS NEO:6)is a euphonic, artificially pleasant substitute sound for reality.
What reality? Our sound systems are artificial constructs; 2-channel and 7-channel are both valid ways of listening to music, but they're no substitute for any reality that I've ever experienced. Not even close. And the recordings you're listening to are studio concoctions (even many "live" recordings), that aren't very good representations of the way we experience sonic events (not that I expect 2 channels of sound to actually do this).

Since each of these listening methods is an "artificially pleasant substitute sound for reality", you're free to pick your own poison without fears of one being more accurate than another. I can't stress enough that the point of the 950 is to give you the tools to extract maximum listening pleasure from your music (and movies). It won't reproduce reality but, if carefully used, it will please you.
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I wonder if, as I hear it more, I'll be able to distinguish the artificial pleasantry from the stark reality, better.
There's nothing "stark" about a real life music performance. On the contrary, I find it warm, enveloping, palpable and exciting; sorta like what I hear with multi-channel playback. I think that now that you've been listening to music in surround, you might be finding traditional 2-speaker playback a little dry, a little "stark" and (dare I say) a little "artificial", in comparison.
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Perhaps DVD-A and SACD surround modes sound better, more realistic, than DPL II in part because they are surround modes that contain the FULL spectrum of sound.
DVD-A and SACD are all over the map. I've heard very good, very natural and gorgeous sounding discrete multi-channel surround mixes. But I've also heard mixes at opposite ends of the spectrum: some so subtle that you wonder why they even bothered with surround sound, and other mixes that have instruments spread around to the point that you're spinning your head like Linda Blair. Needless to say, surround sound should enhance the content, not distract the listener (something that too few DVD-As and SACDs do, unfortunately).
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I know DPL II removes sound in a psycho-accousticly kind & gentle manner, but it nevertheless removes sound. We all know that now. And some ears apparently, are actually able to detect what's missing.
Well, "we" don't actually know that. Unlike you, I haven't taken your friend's opinion as fact. On the contrary, with PL II engaged I actually hear more; at least as far as ambience and presence are concerned.

BTW, a couple of questions, if you don't mind. First, is this your first prolonged exposure to PL II? Second, and a bit more personal, are you experiencing pangs of guilt or any other weird feelings for enjoying processed 2-channel music over straight stereo? Just curious.

Best,
Sanjay
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Sanjay