Quote:
Originally posted by Kevin C Brown:
But this isn't how it happens. Like I mentioned, most pre/pros and receivers when they do digital BM use a 24dB/octave low pass, and a 12 dB/octave high pass.
I'm not sure why pre/pro designers would do this. The outboard analog active crossover units I've looked into have been 24/24 and with a rather flat sum of the outputs.